Movie Review: Jurassic World – Fallen Kingdom

Eco-Messages Abound in this Wild Kingdom Summer has arrived and that means only one thing here in Hollywood: Bring out the blockbusters! Jurassic World: Fallen Kingdom is the fifth in the film franchise featuring frenetically genetically-engineered dinosaurs in modern times who run amok, wreaking havoc that began with Steven Spielberg’s 1993 screen adaptation of Michael Crichton’s Jurassic Park novel, with Crichton’s screenplay. The Continue Reading...

Film Review: The Young Karl Marx

Moviegoers of the World Unite!: A Rabblerousing Biopic for the Ages Haitian director/co-writer Raoul Peck’s well-made The Young Karl Marx is one of the most significant biopics in cinema history and arguably among the genre’s best. As the 200th anniversary of the birth of communism’s co-founder approaches, Peck has beautifully dramatized Marx’s life during the 1840s as a 20-something lover, writer, husband, philosopher, father, journalist, Continue Reading...

Film Review: In The Fade

Lone Wolf Antifa in New Anti-Neo-Nazi German Film I never fail to be astonished at how the arts, as Shakespeare put it, hold a mirror up to nature, that is, to our society and current events. As the rightwing anti-immigrant, anti-Muslim tide rises, with its ripped-from-the-proverbial-headlines vibe, In the Fade (Aus dem Nichts) is a case in point. This German neo-nazi drama written and directed by Turkish-German auteur Fatih Akin’s (Head On, Continue Reading...

Film Review: Bombshell – The Hedy Lamarr Story

Will the Real Hedy (NOT Hedley!) Please Stand Up? Writer/director Alexandra Dean’s nonfiction Bombshell: The Hedy Lamarr Story is a 90 minute slice of cinema history - and much more - about an enigmatic screen star who was also a behind-the-scenes inventor. Like 2015’s documentary Listen to Me Marlon, Dean uses tapes featuring the thespian’s own voice to tell the inside story of the iconic, exotic actress who dazzled and delighted audiences Continue Reading...

Film Review: Afterimage

Lust for Art: Artists Versus Apparatchiks Filmmaker Andrzej Wajda was to Poland what Sergei Eisenstein was to the USSR - and, arguably, what Carl Yastrzemski was to the Boston Red Sox.  Along with Roman Polanski’s early work, Wajda’s famed 1950s World War II-era trilogy about Polish partisans battling the Nazis - A Generation, Kanal, Ashes and Diamonds - put Poland on the world cinema map.  He won an Honorary Oscar in 2000 and died last Continue Reading...

Dead Pestilence: A Word or Two on Roger Ailes

I hope Roger Ailes died screaming.  I hope he felt every sensation of pain from the subdural hematoma he suffered; I hope that the shocks wracked his worn-out sack of a body.  I hope that, in the throes of that pain, he realized he was dying and he cried out that he wanted to come back, that he didn’t want his last act on earth to have been his dismissal as a lecher and a rapist.  I hope he died screaming. Continue Reading...

Film Review: The Constitution

SEEFest 2017: Cross-Dressing, Cruelty to Critters and Constitutional Rights in Croatia The 12th annual South East European Film Festival kicked off with a gala screening at the Writers Guild Theater in Beverly Hills of writer/director Rajko Grlić’s The Constitution, a stellar must-see movie full of humor and humanity that set the tone for this filmfest.  I say that because sometimes cinefiles “suffer” through specialty cinema (especially those Continue Reading...

Judge Neil Gorsuch Is a Dick

The confirmation hearings for any presidential nominee are just pantomimes of democracy, with everyone going through the motions and nothing really being learned.  It's even worse for Supreme Court justice hearings, where the party of the president who did the nominating pretty much just finger fucks the nominee while the opposing party tries to get the nominee to express an opinion on any goddamned issue and the nominee repeatedly says, "No, go Continue Reading...

Film Review: The Great Wall

Not So Great: Oh! How the Mighty Have Fallen Aside from some stunning cinematography, special effects and scenery, this U.S.-China co-production lensed, according to IMDB.com, on location in Qinqdao and New Zealand (!) is more about cashing in on the growing international audience of the PRC and USA.  The use of Real 3D and IMAX 3D is what The Great Wall is really all about - not a story or, heavens’ forbid, character development - although to Continue Reading...