Donald Trump’s campaign and presidency have been marked by extreme controversy, divisiveness, and partisan polarization. Many contend America hasn’t been this divided since the Civil War. Shortly after 2016’s election, comedian Cecily Strong played CNN’s chief political analyst Gloria Borger in an SNL skit, repeatedly complaining Trump “is not normal.” In fact, one of the rare things an overwhelming majority of Americans can agree on nowadays Continue Reading...
Ed Rampell
Film historian and critic Ed Rampell was named after CBS broadcaster Edward R. Murrow because of his TV exposes of Senator Joe McCarthy. Rampell majored in Cinema at Manhattan’s Hunter College. After graduating, Rampell lived in Tahiti, Samoa, Hawaii, and Micronesia, where he reported on the nuclear free and independent Pacific movement for “20/20,” Reuters, AP, Radio Australia, Newsweek, etc. He went on to co-write “The Finger” column for New Times L.A. and has written for many other publications, including Variety, Mother Jones, The Nation, Islands, L.A. Times, L.A. Daily News, Written By, The Progressive, The Guardian, The Financial Times, AlterNet, amongst others. Rampell appears in the 2005 Australian documentary “Hula Girls, Imagining Paradise.” He co-authored two books on Pacific Island politics, as well as two film histories: “Made In Paradise, Hollywood’s Films of Hawaii and the South Seas” and “Pearl Harbor in the Movies.” Rampell is the sole author of “Progressive Hollywood, A People’s Film History of the United States.” He is a co-founder of the James Agee Cinema Circle and one of L.A.’s most prolific film/theatre/opera reviewers. Rampell is also the author of "The Hawaii Movie and Television Book", published by Honolulu's Mutual Publishing, drops Nov. 25 (see: http://hawaiimtvbook.weebly.com/).
Film Review: Cold War
Defective Defectors Don’t Hit Trifecta Shot in glorious black and white, Cold War’s helmer Pawel Pawlikowski’s won the 2018 Cannes Film Festival’s Best Director award and the film was nominated for Cannes’ prestigious Palme d’Or. Cold War won six European Film Awards and as of this writing has won a total of 20 prizes and been nominated for another 32. In 2015 Pawlikowski’s Ida was nommed for a cinematography Oscar and earned the Best Foreign Continue Reading...
Film Review: Vice
Bureaucratic Brio: The Man Who Would Be Vice President - or Viceroy? Writer/director Adam McKay’s Vice, an all-star biographical movie about Dick Cheney is among Hollywood’s top 2018 political pictures. It’s utterly uncanny how Christian Bale completely disappears into his role as the former vice president, just as John C. Reilly does as Oliver Hardy in another biopic being released in America during the holiday season, Stan & Ollie. With Continue Reading...
George H.W. Bush, Dirty Tricks and Regime Change in Nuclear Free Palau
Propagandistic Presidential Pomp and Pageantry: From Bier to Eternity On Christmas day Adam McKay’s Dick Cheney biopic Vice was released, with John Hillner (Law & Order) portraying George Bush Sr. After the ex-president’s Nov. 30 death, as accolades were heaped upon George Herbert Walker Bush even before his cadaver was cold I wondered who were they talking about? The effusive eulogizing reminded me of Ted Rall’s August 28 column headlined Continue Reading...
Movie Review: Maria by Callas
The Soprano: Inside Diva As an opera reviewer who doesn’t know much about the legendary Maria Callas I greatly enjoyed Tom Volf’s extremely informative documentary Maria By Callas. The film consists entirely of archival footage, clips of the soprano on TV talk shows and in the news, performance/concert vignettes, home movies and sound recordings. I don’t believe there’s a single solitary shot of original material per se by Volf but he has done Continue Reading...
Film Review: The Advocates
Gimme Shelter: And Much More French director Rémi Kessler’s heartwarming documentary The Advocates, which was screened at the LA Film Festival 2018, is now being theatrically released. The documentary takes an insider look at a compelling crisis that seems to be mushrooming across Los Angeles far beyond the confines of Skid Row: Homelessness. The 86 minute nonfiction film focuses in on a trio of L.A. organizers for whom the political is Continue Reading...
Film Review: First Man
The Wrong Stuff: From Claustrophobia to the Cosmos Director Damien Chazelle has had a meteoric rise in the Hollywood firmament. His 2014 hit Whiplash had a $3.3 million production budget and earned more than $13 million at the box office, while 2016’s La La Land cost $30 million. Presumably because that musical scored five times its costs, Chazelle’s latest movie, First Man, almost doubled La La Land’s budget. I usually don’t dwell on film Continue Reading...
Film Review: Making Montgomery Clift
Clift Notes: The Full-er Monty Making Montgomery Clift - the four time Oscar nominee for classics such as 1953’s From Here to Eternity - is one of the most singular nonfiction films this movie historian has ever seen. Like many others it is a biopic, but one with a unique take on its reputedly “troubled” subject, who was as renowned for his beauty as for his prodigious talent. Co-directed/co-produced by the actor’s nephew Robert Clift with his Continue Reading...
Film Review: The First Purge
Dystopian Racial Apocalypse Tomorrow: May the Purge Be With You Move over George Orwell and Aldous Huxley! Although it depicts a not-so-brave-world and is set in the near future instead of 1984, The First Purge is in the tradition of these dystopian tales about futuristic fascistic states. This is the fourth installment in the popular film franchise about an anti-Utopia America ruled by a quasi-totalitarian government run by a third party Continue Reading...
Movie Review: Jurassic World – Fallen Kingdom
Eco-Messages Abound in this Wild Kingdom Summer has arrived and that means only one thing here in Hollywood: Bring out the blockbusters! Jurassic World: Fallen Kingdom is the fifth in the film franchise featuring frenetically genetically-engineered dinosaurs in modern times who run amok, wreaking havoc that began with Steven Spielberg’s 1993 screen adaptation of Michael Crichton’s Jurassic Park novel, with Crichton’s screenplay. The Continue Reading...
Film Review: The Young Karl Marx
Moviegoers of the World Unite!: A Rabblerousing Biopic for the Ages Haitian director/co-writer Raoul Peck’s well-made The Young Karl Marx is one of the most significant biopics in cinema history and arguably among the genre’s best. As the 200th anniversary of the birth of communism’s co-founder approaches, Peck has beautifully dramatized Marx’s life during the 1840s as a 20-something lover, writer, husband, philosopher, father, journalist, Continue Reading...
Film Review: In The Fade
Lone Wolf Antifa in New Anti-Neo-Nazi German Film I never fail to be astonished at how the arts, as Shakespeare put it, hold a mirror up to nature, that is, to our society and current events. As the rightwing anti-immigrant, anti-Muslim tide rises, with its ripped-from-the-proverbial-headlines vibe, In the Fade (Aus dem Nichts) is a case in point. This German neo-nazi drama written and directed by Turkish-German auteur Fatih Akin’s (Head On, Continue Reading...
Film Review: Bombshell – The Hedy Lamarr Story
Will the Real Hedy (NOT Hedley!) Please Stand Up? Writer/director Alexandra Dean’s nonfiction Bombshell: The Hedy Lamarr Story is a 90 minute slice of cinema history - and much more - about an enigmatic screen star who was also a behind-the-scenes inventor. Like 2015’s documentary Listen to Me Marlon, Dean uses tapes featuring the thespian’s own voice to tell the inside story of the iconic, exotic actress who dazzled and delighted audiences Continue Reading...
Reaping the Whirlwind
Reactionaries howl in outrage at Kathy Griffin’s photo of the comedienne holding a faux severed, bloody head of the president and against Shakespeare in the Park’s modern dress version of Julius Caesar, wherein the assassinated emperor is a Trump look-alike. Of course, these condemnations of exercises in free expression are spewed by the same cry babies waging holy war against whatever they perceive as “political correctness.” Trump and his Continue Reading...
Film Review: Afterimage
Lust for Art: Artists Versus Apparatchiks Filmmaker Andrzej Wajda was to Poland what Sergei Eisenstein was to the USSR - and, arguably, what Carl Yastrzemski was to the Boston Red Sox. Along with Roman Polanski’s early work, Wajda’s famed 1950s World War II-era trilogy about Polish partisans battling the Nazis - A Generation, Kanal, Ashes and Diamonds - put Poland on the world cinema map. He won an Honorary Oscar in 2000 and died last Continue Reading...